Kentucky Kokopelli?

Your parents might not have ever heard of Kokopelli, but there's a good chance that you have. In recent years, the ancient Southwestern Native American symbol of Kokopelli has become trendy and hip, leading to greater awareness of this mysterious trickster music/agriculture/fertility deity. The first known images of Kokopelli appear on Hohokam pottery circa 750 A.D. and reportedly, the tradition goes back even further to the Ancient Pueblos, circa 1200 years B.C.

Kokopelli petroglyphs (see image above) usually depict him as a slightly hunchbacked humanoid figure (though some theorize he's actually intended to be a cartoonishly anthropomorphized insect) holding a sticklike object up to his face. Because music is among Kokopelli's realms of overseeing, the object is generally regarded to be a flute. Some say it may have originally been a blowgun but gradually gave way to a more peaceful, musical symbol. Still others contend it's actually a pipe for ceremonial smoking of tobacco and herbs.


Kokopelli is also sometimes depicted with obvious male genitalia, and protrusions from the head that variously resemble antennae, hair, horns, or long floppy ears like Walt Disney's Goofy.

Images of Kokopelli are ubiquitously found in the Southwestern states, and I've always wondered why his influence never spread to other parts of North America to states like, well, you-know-where.

But it just may be that the power of the Kokopelli myth did indeed make it to Kentucky in antiquity. I submit to you pages 24-26 of Rock Art of Kentucky, the ultimate compendium of prehistoric petroglyphs of our commonwealth. There you'll find information about the Reedyville Petroglyph (see image below). Located in Butler County, southeast of Reedyville, near the old Honaker's Ferry, this set of petroglyphs reside on a slab of Pennsylvanian sandstone known as "the Caseyville Formation". They show what clearly seem, to me, to be a Kokopelli-ish figure, hunched forward with protrusions from his head and holding something up to his face. A more primitive one is just inches away, with a head of "hair" that even more resembles Kokopelli, but is limbless and tree-trunk-like. Most importantly, look at the legs and feet and how they relate to the torso.


The sketch in Rock Art of Kentucky is just one person's attempt to draw what he saw there, of course. Unfortunately the photo in the book is a terrible one and shows very little. These glyphs lay flat, open to the elements, and were almost certainly much more detailed when they were new. Many details that would aid in analysis may have been eroded away.

Me, I'm convinced this is a rendering of Kokopelli, deliberately done as such by an ancient hand for reasons unknown.

KY Civil War Corpse in NM Man's Living Room

Fort Craig was an Army fort near the Rio Grande in Socorro County, New Mexico. It played an important part of the Civil War and the Indian Wars before its closure in 1885.

With no grave markers and the cemetery plot map lost, most people had completely forgotten that Fort Craig had a cemetery containing about sixty graves - mostly soldiers and family members. According to this article, it had actually been erroneously assumed that the Army had long since transplanted those graves elsewhere. They had not.

In November 2004, authorities were tipped off that a man named Dee Brecheisen was keeping a mummified soldier's corpse, stolen from Fort Craig, on display in his living room. Unfortunately, Mr. Brecheisen dropped dead himself before the Federal investigators could get to the bottom of the whole mess.

As it turns out, the soldier who was on display at Brecheisen's home was Private Thomas Smith, a 23-year-old farmer from Butler County, Kentucky.

Some of the remaining corpses and other items grave-robbed by Brecheisen are still being assessed and investigators are trying to track down relatives. Most of the bodies are currently stored at the Smithsonian Institution's National Museum of Natural History in Washington, D.C.